Albumleaf 163: October 18, 2019 (Bologna)
The third boschereccia resembles the first in its wildness, but it is a well-lit room, where we have not lost our bearings. We contemplate quietly a pair of horns and harps in a display case. The sounds of these instruments mingle in our mind with the opening phrases of Josquin’s “Ave maria . . . virgo serena,†a copy of which is in the Odhecaton A (also found in the museum). After a final horn call and a measure of silence, the melody from the first boschereccia returns and finds resolution.
