Biography (Scorrere verso il basso per la versione italiana.)
David Salvage (b. 1978) is an American composer and pianist who lives in Bologna, Italy. Born into a family of non-musicians, at age four he asked his parents for a piano, a wish that was granted on the condition that he take lessons for five years. Instead, he took them for fifteen years, along the way developing an interest in composition, winning local and national competitions as a pianist and composer, becoming one of the first pianists selected for the Perlman Music Program, and winning a scholarship to Harvard University, where he shifted his focus to composition. He continued his studies at Manhattan School of Music and the City University of New York, earned his Ph.D. with a dissertation on Gyorgy Kurtàg, and went into academia full-time, teaching music theory and history. A lifelong Europhile, when the opportunity arose to live abroad for a while, he took it, and now he is a dual citizen of Italy and the United States. He has composed for orchestra, film, choir, and ensembles of all kinds and has received over a hundred performances at venues ranging from the Juilliard School to the British Institute of Florence. His music can be as familiar as songs you’ve heard a thousand times or as strange as the latest musical novelty. What he strives for is not so much stylistic consistency as a faithfulness to human experience in all its variety. He enjoys reading, commiserating about current events with his wife, and playing backgammon with his children. His music can also be heard on Navona Records and his website, www.albumleaves.com. His music is published by Universal Edition Vienna.
Versione italiana —
David Salvage (1978) è un compositore e pianista statunitense che abita a Bologna. Nato in una famiglia estranea alla musica, all’età di quattro anni ha chiesto un pianoforte ai genitori, un desiderio che è stato esaudito a condizione che prendesse lezioni per cinque anni. Le ha seguite invece per quindici anni, e lungo il percorso ha sviluppato un particolare interesse per la composizione, ha vinto premi regionali e nazionali come pianista e compositore, E’ diventato uno dei primi giovani pianisti scelti per il Perlman Music Program, e ha vinto una borsa di studio alla Harvard University, per poi decidere di concentrarsi sulla composizione. Ha continuato i suoi studi presso la Manhattan School of Music e la City University of New York, ha conseguito il dottorato di ricerca con una tesi su Gyorgy Kurtàg, e ha trovato lavoro nell’ateneo insegnando a tempo pieno storia della musica e teoria musicale. Filoeuropeo da sempre, ha colto l’opportunità di trasferirsi all’estero per un po’ quando questa gli si è presentata e ora possiede la doppia cittadinanza statunitense e italiana. Ha composto musica per orchestra, film, coro e insiemi di diversi generi e le sue opere hanno ricevuto più di cento esecuzioni in sedi come la Juilliard School e il British Institute of Florence. La sua musica può essere familiare come una canzone ascoltata mille volte o strana come quella curiosità musicale più recente. Si preoccupa più di una fedeltà all’esperienza umana in tutta la sua varietà che di una consistenza stilistica. Gli piace leggere, commiserarsi davanti alle notizie dal mondo con la moglie e giocare a backgammon con i suoi figli. La sua musica può essere ascoltata anche su Navona Records e sul suo sito web, www.albumleaves.com. La sua musica è pubblicata da Universal Edition Vienna.
September 11, 2018 – 5:32 PM
Albumleaf 143: September 11, 2018 (Bologna) Because the world has been clamoring for more atonal miniatures, I’ve decided, after a seven-year hiatus, to return to my Little Vanishing World series. Buon ascolto!
September 6, 2018 – 3:09 PM
Albumleaf 142: September 5, 2018 (Bologna) Normally I like process music about as much as I liked processed food. But every once in a while, if you fool around with it and don’t follow the directions, it can be okay.
August 22, 2018 – 12:33 AM
Albumleaf 141: August 19, 2018 (New York City) Willye convinces Perigot to participate in a singing contest in which Perigot will provide the undersongs to his “roundelay.” Cuddie declares the two shepherds of equal merit and sings a lament by Collin.
Albumleaf 140: July 31, 2018 (Granville) Had to record this one before my right elbow fell off. Ravel quote for music geeks.
Albumleaf 139: July 22, 2018 (Granville) I’ve got as much swing in me as a Corelli concerto grosso. But I’ll take those harmonies thank you, jazz. P.S. In English, the best you can do for the title is “drowsiness.”
Albumleaf 138: July 20, 2018 (Granville) Thomalin in the valley and Morrell on the hill debate the merits of tending their flocks down low or up high. Â (Listen closely for the sly fox.)
Albumleaf 137: July 5, 2018 (Bologna) Chillaxin’.
Albumleaf 136: July 3, 2018 (Bologna) If ever a title required explanation, this is it. Back in November 2012, I began writing an Albumleaf inspired by Mooney Warther’s wooden sculpture “Plier Tree†(pictured below). I quickly became mired in “masterpiece mode,†completing page after page of sketches, throwing away music, starting and restarting, and so […]
In this installment, Colin isn’t feeling too summery after Rosalind’s rejection and despite Hobbinol’s entreaties. Albumleaf 135: June 10, 2018 (Bologna)
Give this one the miss if you can’t handle C-major scales. Albumleaf 134: June 2, 2018 (Bologna)