Author Archives: David Salvage

Biography (Scorrere verso il basso per la versione italiana.)

David Salvage (b. 1978) is an American composer and pianist who lives in Bologna, Italy. Born into a family of non-musicians, at age four he asked his parents for a piano, a wish that was granted on the condition that he take lessons for five years. Instead, he took them for fifteen years, along the way developing an interest in composition, winning local and national competitions as a pianist and composer, becoming one of the first pianists selected for the Perlman Music Program, and winning a scholarship to Harvard University, where he shifted his focus to composition. He continued his studies at Manhattan School of Music and the City University of New York, earned his Ph.D. with a dissertation on Gyorgy Kurtàg, and went into academia full-time, teaching music theory and history. A lifelong Europhile, when the opportunity arose to live abroad for a while, he took it, and now he is a dual citizen of Italy and the United States. He has composed for orchestra, film, choir, and ensembles of all kinds and has received over a hundred performances at venues ranging from the Juilliard School to the British Institute of Florence. His music can be as familiar as songs you’ve heard a thousand times or as strange as the latest musical novelty. What he strives for is not so much stylistic consistency as a faithfulness to human experience in all its variety. He enjoys reading, commiserating about current events with his wife, and playing backgammon with his children. His music can also be heard on Navona Records and his website, www.albumleaves.com. His music is published by Universal Edition Vienna.

Versione italiana —

David Salvage (1978) è un compositore e pianista statunitense che abita a Bologna. Nato in una famiglia estranea alla musica, all’età di quattro anni ha chiesto un pianoforte ai genitori, un desiderio che è stato esaudito a condizione che prendesse lezioni per cinque anni. Le ha seguite invece per quindici anni, e lungo il percorso ha sviluppato un particolare interesse per la composizione, ha vinto premi regionali e nazionali come pianista e compositore, E’ diventato uno dei primi giovani pianisti scelti per il Perlman Music Program, e ha vinto una borsa di studio alla Harvard University, per poi decidere di concentrarsi sulla composizione. Ha continuato i suoi studi presso la Manhattan School of Music e la City University of New York, ha conseguito il dottorato di ricerca con una tesi su Gyorgy Kurtàg, e ha trovato lavoro nell’ateneo insegnando a tempo pieno storia della musica e teoria musicale. Filoeuropeo da sempre, ha colto l’opportunità di trasferirsi all’estero per un po’ quando questa gli si è presentata e ora possiede la doppia cittadinanza statunitense e italiana. Ha composto musica per orchestra, film, coro e insiemi di diversi generi e le sue opere hanno ricevuto più di cento esecuzioni in sedi come la Juilliard School e il British Institute of Florence. La sua musica può essere familiare come una canzone ascoltata mille volte o strana come quella curiosità  musicale più recente. Si preoccupa più di una fedeltà all’esperienza umana in tutta la sua varietà  che di una consistenza stilistica. Gli piace leggere, commiserarsi davanti alle notizie dal mondo con la moglie e giocare a backgammon con i suoi figli. La sua musica può essere ascoltata anche su Navona Records e sul suo sito web, www.albumleaves.com. La sua musica è pubblicata da Universal Edition Vienna.

“The Shepheardes Calender — December”

Albumleaf 153: December 17, 2018 (Bologna) Colin likens his life to the passing of the seasons and bids adieu to the world.  

“Leaf in a Mood”

Albumleaf 152: December 6, 2018 (Bologna) As in “Mood Indigo” or “Parker’s Mood.”  That vein kind of.  

“Little Vanishing World 6 (Flowers We Are)”

Albumleaf 151: November 19, 2018 (Bologna) Homage to Kurtág Recurring throughout György Kurtág’s oeuvre is an eight-note melody which has lyrics, though to my knowledge they are never actually sung: “Flowers we are, frail flowers.”  Albumleaf 151 presents a variation of this melody.  Notes 1-5, 10-11, and 14 are Kurtág’s.  The others are mine.  

“The Shepheardes Calender — November”

Albumleaf 150: November 15, 2018 (Bologna) Colin sings of Dido’s death.  

“The Shepheardes Calender — To His Booke”

Albumleaf 149: October 25, 2018 (Bologna) Goe little booke: thy selfe present, As child whose parent is unkent . . . And asked, who thee forth did bring A shepheards swaine saye did thee sing, All as his straying flocke he fedde . . . But if that any aske thy name, Say thou wert […]

“Recitative on an Amen by Verdi”

Albumleaf 148: October 18, 2018 (Bologna) For reference.  

“The Shepheardes Calender — October”

Albumleaf 147: October 15, 2018 (Bologna) Alas, Cuddie, your gift for poetry, given by God, we do not reward. Perhaps you should turn to singing songs of war?

“The Second Horse of Pianoforte Jack”

Albumleaf 146: October 3, 2018 (Bologna) A piano is pretty heavy–even for a horse! A cowboy who plays the piano is already more promising . . . But maybe it would be good if he always carried it near him, on a horse . . . “Pianoforte Jack always travels with two horses–he on the […]

“Cob”

Albumleaf 145: September 27, 2018 (Bologna) Cob is an ancient building material that consists of mud and straw. It’s still used today–and is even ecologically sound and inexpensive. The problem is you have to wait for one layer to dry before putting another on top. So, cob buildings take a long time to construct. This […]

“The Shepheardes Calender — September”

Albumleaf 144: September 20, 2018 (Bologna) Diggon Dauie travels to a far-off land in search of fortune, but finds instead a den of treachery and sin and loses all his sheep.